Published by Allen & Unwin, August 2017
Van Diemen’s Land, 1826. When Bridget Crack flees her master’s isolated property to walk back to Hobart Town she has no idea just how far off the road she will go, or how hard it will be to ever get back on it.
Bridget stands on the deck of the ship looking around at the place she has been brought to. She has never seen anything like it. What kind of place is this? In Hobart Town, unable to settle to the life of a domestic servant she is sent from one place to another and then to the ‘Interior’ where the hard cases are sent. When her taciturn and unpredictable new master allows a convict servant to die, Bridget leaves seeking the security of Hobart Town. What she finds instead—what finds her—is Matt Sheedy, a man on the run. Bushrangers. Does she fall in with them? Or take up with them? Either way, their camp is a long way from the road. Surrounded by roaring rivers and towering columns of rock Bridget must negotiate a madman, and survive.
Set against a time of sweeping change in Van Diemen’s Land, a time when the violence between the aboriginals and the colonists is escalating Bridget Crack is a moving story of a woman’s journey through a beautiful and brutal landscape and of the man who goes out to bring her back. In the face of terrible darkness, everyone must find out what they cling to.
Rachel is represented by
Grace Heifetz @ Curtis Brown, Sydney.
& EVERYTHING MUST GO
In 2006 I did a one-day character comedy workshop at Melbourne Fringe, (organized by Nelly Thomas & Tanya Lossano) and Nancy Browne was born. I performed her at a few comedy venues around Melbourne and then in 2007 was in the Victorian Raw Comedy finals as ‘Nance’. I began work on a show with the character and then Damian Callinan came on board to help me shape the script and the performance. The result: ‘Everything Must Go’, had its first season at La Mama in 2011 and then over a four year period went on to tour regional Victoria, regional QLD, and then WA.
Tracksuit. Trackie. Trackie Dacks. An expose of one of Australia's most controversial clothing items. Part homage, part trackiepedia, the show will follow the tracksuit through time from Olympic glory to Saturday afternoon lawn mowing, gangster symbol and ‘I wouldn’t be seen wearing one outside the house’. It asks: ‘Who loves trackies, who hates them and why?’
‘Tracksuit’ was performed as part of La Mama’s Exploration series in 2014, as a show in development. (It will be further developed in the near future!)
In this new work I intend to create a live performance event that uses physical theatre, documentary (including film/audiovisual) and comedy to tell a personal story as well as examining the tracksuit and ‘trackie’ as part of Australian culture, the role that it has played and does play in our lives, the way that our ‘personal trackie wearing behaviours’ are influenced by subculture, prejudice (shame), space and fashion.
‘The apparel oft proclaims the man’ Shakespeare
‘I think it’s time to reclaim the humble trackie and celebrate its genius. Trackie pants have given us a lot. Let’s give something back.’ Myf Warhurst.
Rachel Leary has been performing professionally for over fifteen years. She has trained in physical comedy, clown, improvisation and character comedy and performed roving acts at festivals, community and corporate events nationally and internationally. She has twice been a RAW comedy Victorian state finalist.